• “Watering the Grapevine: Jessie Maple and the Development of Black Creative Expression in New York” in Women and New Hollywood: Gender, Creative Labor, and 1970s American Cinema ed. Aaron Hunter and Martha Shearer, Rutgers University Press (forthcoming, May 2023).

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• “‘A Most Serious Loss in Business’: Race, Citizenship and Protest in New Haven, Connecticut” in In the Shadow of The Birth of a Nation Racism, Reception and Resistance, ed. Melvyn Stokes and Paul McEwan, Palgrave MacMillan (forthcoming, 2023).

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• “‘A New Form of Black Genre Communication’: Video, Urban Development, and The Ensemblic Production of a Black Soap Opera” Film History (forthcoming, 2023).

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• “Gated Tears and Impossible Acceptances: Donald Sutherland's in Pride and Prejudice (2005)” The Projector: A Journal on Film, Media, and Culture 21.1 (Winter 2021).

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• “Live, Love, Labor: Bill Duke's The Killing Floor and the Performance of Politicized Sociality” In Media Res. November 11, 2020).

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• “Witnessing One Transformation, Charting Another: The Various Lives of Paul Carter Harrison.” Black Camera: An International Journal Vol. 10, No. 2 (Spring 2019): pp. 104-111.

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• (co-author) “Introduction: A Scene of New Worlds.” Black Camera: An International Journal Vol. 10, No. 2 (Spring 2019): pp. 52-68.

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• “Unsettling the Archive: Tell It Like It Is and the Constitutive Possibilities of Black Film History.” Film Quarterly. Vol. 69, No. 1 (Fall 2015) pp. 64-71.

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• “(Don’t Worry) If There’s a Hell Below: Curtis Mayfield, Cinematic Sounding, and Cultural Memory,” liquidblackness. (September 2015 Vol 2. Issue 5) pp. 66-83.

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• “What is This Thing Called Hip Hop Studies?: A Response to Saucier and Woods.” Journal of Popular Music Studies, Volume 27, Issue 3 (September 2015) pp. 343–352.

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• "The Cinema and Its Shadow: Race and Technology in Early Cinema by Alice Maurice” Black Camera Vol. 6 No. 2 (Spring 2015) pp. 244-248.